Depuis le triomphe de son premier long métrage Kirikou et la Sorcière, le réalisateur Michel Ocelot offre au public un cinéma toujours renouvelé. Pour son dernier opus Dilili à Paris, produit par Nord-Ouest Films, il a choisi de mettre en scène le Paris de la belle époque, son bouillonnement créatif et ses mutations sociales.
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